Today the Melbourne International Animation Festival begins at ACMI and there is one part of the program that I am very excited about and really looking forward to seeing. Every year the MIAF has at least one retrospective on animation history, and this year they have chosen one of my favourite studios from the golden age of animation in UPA. I have previously made posts about UPA, which you can find here.
There are three different programs for UPA, with the first being next Friday evening. The first one features the cartoons Blues Patterns, Outlaws, Mr Charmley Greet A Lady, Be Quiet, Kind, And Gentle, The Lost Duchess, Madeline, The Jaywalker, Bringing Up Mother, The Wonder Gloves, Christopher Crumpet, and Rooty Toot Toot. Of these I have only seen Madeline, Christopher Crumpet and Rooty Toot Toot, so it should be an interesting evening.
Program 2 is on Saturday evening and features some of the more well-known UPA cartoons as well as some of their earliest work. Hell Bent For Election was the first UPA cartoon made, directed by Warner Bros. Chuck Jones as a favour to the fledgling studio, it was made to help re-elect Franklin Roosevelt as president of the USA. Brotherhood of Man is another industrial cartoon made for the auto workers union to help ease the desegregation of that industry. It seems quite strange today that some people needed a film to tell them that black and white people could live and work together. Flat Hatting was made for the US Navy (I think) as an instructional film of what not to do for the pilots. Then there are the classic commercial cartoons they made such as The Magic Fluke, starring the Fox and the Crow, Gerald McBoing Boing, one of my all-time favourites, The Unicorn In The Garden, Fudget’s Budget and the interesting and gloomy The Tell Tale Heart. I have seen all of these films with the except of Flat Hatting and Fudget’s Budget, but it will be the first time I have seen any of these on the big screen, which I am really looking forward to.
Program 3 is on Saturday afternoon and features UPA’s only really well-known character in Mr Magoo. This is a good cross-section of Magoo’s theatrical cartoons and features The Ragtime Bear, his first cartoon, Trouble Indemnity, Barefaced Flatfoot, Hotsy Footsy, Magoo Express and When Magoo Flew.
All in all it promises to be a very good time and I cannot wait to go. More information can be found at the MIAF website.