This is another fine Laurel & Hardy short film from the early 1930s. It features lots of funny slapstick and is perhaps one of their funniest movies. A lot of the film plays out like a silent film, despite being made in 1933, with Stan in particular showing off his pantomime skills. The film gave me a few good chuckles and doesn’t seem to have dated too badly.
Posts from the ‘Laurel & Hardy’ Category
Like most Laurel & Hardy movies this is just a series of sketches stuck together to form a feature film. It’s perhaps not the strongest of their films but it is amusing. It does take a long time before they make it to Oxford, and sometimes it is hard to believe that Stand & Ollie are so stupid, even though they haven’t got an education, but it is OK.
An amusing and watchable film with a few chuckles but no really laugh out loud moments.
Universal Australia has just released a lot of Laurel & Hardy dvds onto the market. These are from the British DVD set which have been remastered. These dvds aren’t even available in America. These are currently selling in Big W for $8.80. While all of the disc in the set contain some fine Laurel & Hardy films the ones that are essential for any comedy lover are Volume 14 – A Job To Do/Classic Shorts, which features The Music Box (the short film where they try to deliver a piano up a flight of stairs), Volume 13 – Sons Of The Desert/Related Shorts, Volume 3 – Way Out West/Related Shorts, Sons Of The Desert and Way Out West being Laurel & Hardy’s best known feature films. Volume 16 – Maritime Adventures/Classic Shorts features another one of the duos best short films, Towed In A Hole, which is the film where they go fishing. Still as I said earlier all of the dvds are worth owning.
Blockheads was released in 1938. This is the film where after WWI Stan has been left behind in the trenches for twenty years not knowing that the war has finished. When he finally finds out he goes back to America where he is reunited with Ollie and chaos occurs. There are quite a few laugh out loud moments which is quite rare when watching movies over 70 years old.
I was reading the other day about why Laurel & Hardy have such a great appeal even now. They aren’t known for any violent slapstick like The Three Stooges, or any smartass one liners like Groucho Marx or W.C. Fields. The author of the book I was reading (whose title escapes me right now) said that basically Stan and Ollie are big babies and that it is this child-like quality that appeals to fans, especially children. I’m not so sure about that but I do know that they were very funny together.
Sons Of The Desert is the best known of Laurel & Hardy‘s comedy films of the 1930s. It ranks at number 96 on the American Film Institute’s list of 100 funniest films, which was compiled in 2000. This is the film where Stan and Ollie lie to their wives about Ollie needing to go to Honolulu so that he can recover from an illness (which he has faked),
but instead they head to Chicago for their Sons Of The Desert convention. Everything seems to go well until the ship that they were supposed to be on sinks.
There are a lot of funny scenes in the film but it is the personalities of Laurel & Hardy that makes this well worth watching. All of the mannerisms that we associate with the comedy duo are present in this film, from Ollie’s lying and telling the most preposterous story imaginable, to Stanley’s cry-baby routine when his wife finds him out. There is also quite a lot of funny slapstick along the way that makes this film very enjoyable.
Way Out West is an old-fashioned film, which is not necessarily a bad thing. Like many comedies made in the 1930s it has dated a lot, yet even compared to its contemporaries it feels old-fashioned. Even though it was made in 1937 and is a talkie (only Chaplin was still making silent movies at this time) it feels almost like a silent film, probably because there are so many cut shots to either James Finlayson or Oliver Hardy doing a take and mugging for the camera. This of course was something that was common in the silent era but it is something that becameoutdated as the 30s wore on. You’d rarely see Groucho Marx mugging silently at the camera after some minor tragedy had been bestowed upon him. (If the camera ever cut to Groucho he’d make sure he had a quip.) I don’t mean this as a criticism, just as an observation.
Having said that Way Out West is enjoyable if only because the two main stars of the film. Stan Laurel and Oliver Hardy are so likable and work so well together that you have to laugh at their antics. They were both veterans of the cinema at this time and had worked together for over a decade. Here their great chemistry is on show in the skits, while their song Ballad Of A Lonesome Pine is a treat. You still have this feeling that this is all very old-fashioned, but in a good way. There is also a great chemistry that the boys have with their co-star James Finlayson, although I did think he spent too much time mugging for the camera. The movie is kind of short, at only 65 minutes long, so it never overstays its welcome either and is a good introduction for anyone who wants to watch the films of Laurel & Hardy.